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TRUSTEES
Patrick Henry Flynn
Paula Butler
Michael Cabot
Florence E. Flynn
Beatriz Ford
Helen Guest
Ralph Guild
R. Douglas Hulse
Terry Allen Kramer
Charles Lanigan
Christopher Plummer
Amanda Schumacher
Ethel Steindl
Paul Noble

HONORARY TRUSTEES
Ruth Baxter
Mary Hulitar
Rita Taca

ADVISORY BOARD
Patricia Alper-Cohn
June Bakalar
Tricia Burt
Frank O. Butler II
Melanie Cabot
Etonella Christlieb
Donna Clayton
Stephanie Conrad
Patricia Cook
Kathleen Splaine Dolan
William Diamond
Cheryl Gowdy
Roger Hochstin
Vicki Sylvester Kellogg
Laurence Leamer
Susan C. Lee
Laura Jane Linck
Rachel Lorentzen
Sally Marks
Jan McArt
Albert Mendez
Paul Noble
Douglas Rae
Peter Rains
Brian Reeves
Julie Reveley
Ann Riker
Suebelle Robbins
Barbara Selecman
Muriel A. Shapiro
Angela Koch Stockham
Dyanne Tosi
JoAnne Wagner

COMMITTEE OF STARS
Edward Albee
Tammy Grimes
Carol Channing
Arlene Dahl
Julie Harris
Elizabeth Ashley
Robert Osborne
Sally Ann Howes
Christopher Plummer




Palm Beach Theater Guild 

Events for November:

Friday, November 7th
4 PM - Nick & Johnnie's Restaurant

Royal Poinciana Way and County Road, Palm Beach

"Should the Royal Poinciana Plaza and Playhouse be land-marked and what use can we make of them?"

A panel discussion moderated by former Public Broadcasting Host Paul Noble including Tim Frank, former town planner, Bonnie Dearborn, former administrator of the Bureau of Historic Preservation, State of Florida, Doug Hulse, Palm Beach Theater Guild, and Bradford Kenney, Executive Artistic Director, the Ogunquit Playhouse and Artistic Advisor to the Palm Beach Theater Guild.

Monday, November 10th
6pm – Party at Bice

Honoring Artistic Advisor Brad Kenney (first drink is free!)

Wednesday, November 12th
9:30am - Town Council Meeting

Vote on Land-marking at (the developers will go first, please look at their plan:

Developer Plan Here

It's the condominiums stupid - the first 30 condominiums in three buildings are the trade off for our theater. The developers can make more money with housing than they can with retail or services that we need in Palm Beach.

 

Please post your comments on our blog at www.PBTheaterGuild.blogspot.com



 

CONSULTANTS ON ROYAL POINCIANA PLAYHOUSE
RECOMMEND OLD IDEAS TO NEW OWNERS
ACCORDING TO PALM BEACH THEATER GUILD

     SEPTEMBER 17, 2008—PALM BEACH, FLORIDA—In response to a feasibility  study presented by Webb Management Services, a New York consulting firm, to Sterling Palm Beach the new lessees of the Royal Poinciana Plaza and Playhouse, Palm Beach Theater Guild president Patrick Henry Flynn dismissed the report as containing essentially the same material and outlook that was presented to the previous developer Dawsco PB and developers Peter Cohen and Sidney Speigel in 2004.

     “Besides factual errors, there are three serious flaws in this study,” Flynn said, “and numerous intentional misrepresentations that are misleading.”

       In his leading conclusion Webb Management reported, “There is lack of demand from existing arts organizations” to rent the Poinciana Playhouse. This ignores the Performance Partners of the Palm Beach Theater Guild:

  • Palm Beach Symphony,
  • Palm Beach Opera,
  • Palm Beach Principal Players,
  • Palm Beach Atlantic University,
  • the PlayGround Theatre,
  • and Ballet Florida.

There also has been no availability of the theater to attract renters. The former and present owners have simply refused to rent the house to the Palm Beach Theater Guild and others.

       By far the most misleading and unprofessional conclusion of the study is that Webb Management does not even consider a regional theater being located in the Playhouse with the present capacity and configuration. This is the primary income stream projected by the Palm Beach Theater Guild in its business model. Myopically, Webb Management can only apply the regional subscription theater concept to a smaller house.

The firm recommends that Florida Stage occupy the space with experimental theater that will not appeal to a general audience and was not accepted by the Town in the previous go-a-round with the developers Peter Cohen and Sidney Spiegel. Webb Management justly deserves to be chastised for discriminating against and not considering the present house as viable.
 
      Secondly, the Webb Management Study relies on the concept of Town-Serving which states that half the patrons of the theater have to be residents of Palm Beach. By extrapolation, the audience and the size of the house is economically limited under the Webb plan.

      “This is begging the question at best,” Flynn says.  “It relies on an out-moded 1970s concept, and the town serving ordinance applies only to retail and restaurant establishments.” The study itself says that there is no agreement among the council that the theater – as a non-profit community serving entity -- falls into the Town Serving category, and further the theater maybe grandfathered.

       The third glaring misrepresentation of the study is that there are “a number of midsize halls” in the area with better facilities. The only “halls” in the area with 600 and 700 seats respectively are the Himmel Theater at City Place and the Gublemann Auditorium in Palm Beach which does not take rentals. In another market, the Maltz theater in Jupiter (550 seats) is thriving with the subscription season. Its business model most closely resembles that of the Palm Beach Theater Guild.

       “It is a reckless misrepresentation to equate the Royal Poinciana Playhouse with ‘halls’ in the area.” Flynn continues. “Webb management did not consider a change of use of the house from a theater that books-in rentals to a resident regional subscription theater. This is inexcusable and hardly objective.”

     “Rehashing old ideas is not going to move us forward,” Flynn adds. “We’ve already debunked many of them especially the notion that thePalm Beach Theater Guild cannot raise the money and hire excellent professional management to restore and operate the Royal Poinciana Playhouse. We count among our board members top New York theater producers and owners.   What’s missing in the charts and analysis of the Webb Study is a measure of the quality that is the legacy of the RPP, and its what the greater Palm Beach community has come to expect and the Palm Beach Theater Guild is capable of delivering.” Flynn went on to say that the demographics of the greater Palm Beach community suggest that traditional Broadway musicals and plays will draw audiences that warrant a mid-sized theater of 850 seats.

      The Palm Beach Theater Guild executed a non-disclosure agreement with Webb Management and made that company privy to its business plans. Both our consultants had more local knowledge of producing theater, and producing in the Royal Poinciana Playhouse than any one in the Webb Management group.

     “Smaller space requirements can be accommodated by our designers, but let’s not be short sighted and miss the unforgettable, general audience shows and theater that the RPP can draw and accommodate. We don’t want to give up extra seating capacity. It is not economical to do so” said Flynn.

Feasibility Study Questions Palm Beach Theater Guild's Plan for Restoring Royal Poinciana Playhouse

By JAN SJOSTROM and WILLIAM KELLY
Daily News Staff Writers
Tuesday, September 16, 2008

The Palm Beach Theater Guild probably shouldn't manage the Royal Poinciana Playhouse, even if the building is restored, according to theater consultant Duncan Webb's report on the feasibility of reopening the playhouse.

"The guild's efforts are well-intended," said Webb's report, which was released Tuesday. "But the plan is too risky and their business planning work is far from complete." Webb's report was commissioned by Sterling Palm Beach, the investor group that assumed control of the Royal Poinciana Plaza in April.
Guild President Patrick Flynn disputed the study's conclusions.

"In effect, Duncan Webb simply repeated his previous study for another developer," he said. "He is less direct, but he is on the same track — that is, build a smaller house for Florida Stage."

Flynn said he sent e-mails to 1,000 recipients Tuesday to solicit input for the guild's response to the report.

Webb produced a study in 2004 for J.F. Brennan Design/Build LLC and The Dawsco Group, which then had a contract with the plaza's owners to develop the site. In that study, he questioned the viability of an 878-seat playhouse.
Webb's new report reached no conclusions about whether the playhouse should be renovated or torn down and replaced, but said either alternative would be expensive.

The report proposed reducing the number of seats to between 250 and 350 and presented two options: a multi-use facility that would be managed by an experienced operator or a new home for Florida Stage. Sterling Palm Beach would retain ownership of the property under either scenario.

The guild released a feasibility study in April estimating that it would cost about $3.8 million to upgrade and repair the 1957 playhouse, which has been shuttered since 2004. The group proposed starting a nonprofit theater company that would produce shows and rent the space to other users.

Webb's report is skeptical about the guild's low construction estimates and wary of starting a new producing organization in "a well-developed and competitive theater market," especially when the guild has "no internal skills and resources in the production of theater." Furthermore, an 878-seat theater is not financially viable, Webb says. Flynn said he stands behind the guild's construction estimates and criticized the recommendation to reduce the number of seats. "We need the 800 seats," he said. Flynn said the guild has a strong board and could hire experienced management. He contested Webb's assertion that there wasn't enough demand from existing arts groups to rent the theater.

Errors in the Webb Report

Page 2 - The report states “a particular challenge has emerged as a group of local citizens are promoting the idea of land-marking the Plaza and Playhouse.”

WRONG - The landmarks status was voted on unanimously after careful study by the Landmarks Preservation of Palm Beach.

Page 11 – “The organization (Palm Beach Theater Guild) does not have paid staff…”

WRONG.

Page 18 – CONCLUSIONS:

“There is a lack of demand from existing arts organizations interested in renting the Playhouse in its current shape and capacity.” WRONG.

RIGHT ANSWER: Since 2006, the Palm Beach Theater Guild has offered to Mr. Spiegel, Mr. Cohen and Mr. Kosoy to lease the Playhouse. We have found demand from our Performance Partners (Ballet Florida, Palm Beach Symphony, Palm Beach Opera, Palm Beach Principal Players, Palm Beach Atlantic University, the PlayGround Theatre). There is also numerous others for single events, co-productions, in addition to a regional theater season and summer musical for a general theater. There is a bountiful rental demand for a historic and already branded theatrical house – The Royal Poinciana Playhouse. The Webb Study does not address the Poinciana Playhouse transitioning from a booking house to a regional theater. We believe this is conscious and egregious omission. 

“There is unproven demand for presenting activity at that capacity, and the departure of Clear Channel is testament to that challenge.” HALF RIGHT, HALF WRONG.

RIGHT ANSWER: All demand is unproven. The closest example we have to the  business model of the Palm Beach Theater is the Maltz Jupiter Theatre, which is very healthy and operating with 550 seats.

WRONG ANSWER: The departure of Clear Channel was occasioned by two factors. One the house was too small – not too large for Clear Channel. Secondly, Clear Channel had very little product or content (mostly straight plays) to program in the house. Finally as a chain Clear Channel could not develop local demand for rentals or local demand for programming, it was not part of their scope. We particularly fault Duncan Webb as a professional for this kind of nonsense.

“The capacity is too large to be supported by local audiences.” WRONG.

RIGHT ANSWER: There is nothing that can support this assertion that is without merit. Our marketing studies for subscription audiences and single tickets prove the contrary.

“There are a number of mid-size halls in the regional market with better facilities and the resources to compete for audiences and programs.” WRONG and FALSE.

RIGHT ANSWER: The are only one mid-size “HALL” in the area and that is Himmel Theater (600) at City Place (Please note spelling.) The other mid-size theaters are the Maltz in Jupiter (550) and the Four Arts Gublemman Auditorium (700). The use of the word “HALL” for a comparison is very unprofessional. The Himmel “Theater” (a converted Methodist Church) is not remotely comparative to the Royal Poinciana Playhouse. The Maltz in Jupiter has its own regional subscription season and is doing very well. The Gublemman Auditorium is not for rent.

The report recommends that an existing non-profit take over the Royal Poinciana Playhouse. We have an existing non-profit named Palm Beach Theater Guild. Ideally the report recommends that a non-profit be formed for this purpose. This is why (to Save and Operate Royal Poinciana Playhouse) the Palm Beach Theater Guild was formed. In effect Duncan Webb simply repeated his previous study for another developer. He is less direct, but he is on the same track – that is build a smaller house for Florida Stage.

CONTACT

Patrick Henry Flynn
(561) 366-8980
PHFlynn@gmail.com

Lenna Warner
(978) 546-6306
LennaWarner@aol.com

The developers already have a viable option on the table, Flynn said. "Why don't they just take our offer?" he said. "It's risky no matter who does it, but we are willing to pay for the risk."

Click below to see Our Plan for the Theater
Feasibility Plan -
Spring 2008

The Celebrity Room Ceiling Mural

by Robert Bushnell

The mural is 45 feet long by 30 feet wide and is titled " Venetian Festival," although some liked to call it the scene of a Venetian carnival. It was depicted in early Royal Poinciana Playhouse programs, including those of 1963 and 1967. It took artist Robert Bushnell two years to complete. Images were painted with oils onto four panels and then installed by artisans from New York. It was unveiled in 1957. It contained portraits of 125 international stars of stage and screen, a few internationally famous people, and local Palm Beach luminaries such as John and Jane Volk, Frank Hale, Paul Crabtree and Lilly Pulitzer. Some claim that President Kennedy was a later addition. Mural portraits included Clark Gable, Joan Crawford, Helen Hayes, Mary Martin, Fred Astaire, Tallulah Bankhead, Katharine Cornell, and Yul Brynner.


Please contact Town Council Members to show your support.

Richard Kleid – 588-7631 - Kleid561@aol.com
Denis Coleman – 659-6596 – Denis.Coleman@gmail.com
Susan Markin – 848-8228 – SusanMarkin@aol.com
Gail Coniglio – 832-3520 – GailConig1@aol.com
David Rosow – 842-0377 – David.Rosow@rosow.com

 

Palm Beach Theater Guild, Inc.
P.O. Box 667, 44 Cocoanut Row, T-11, Palm Beach, FL 33480

www.PBTheaterGuild.org  ● 561-651-1015

for more info, e-mail us at: info@PBTheaterGuild.org

 

See the article in Quest Magazine

Palm Beach Theater Guild in Quest Magazine (Printable PDF)

Quest Magazine on PBTG (January 2008, Page 152)




 

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VIDEOS:

Theater Inspection Walkthrough (May 22, 2007)

WPBF 25 NEWS - May '07 Update

WPEC News 12 - Feb '07 Landmarks Commission

Sally Ann Howes

Christopher Plummer

PDF:

Town of Palm Beach - Landmarks Designation Report